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Hook, Community, Repeat: Inside the Crochet Guild of America

March is International Crochet Month, and there is no better time to shine a light on the organization that has been holding the crochet community together for more than 30 years. The Crochet Guild of America (CGOA) is the only national nonprofit dedicated entirely to the art and craft of crochet. We reached out to learn more about what they do, who they serve, and why it matters. The answer, it turns out, is more than you might expect.

A Community That Finds You

Crochet, like many arts, is often a solitary practice. You and your hook and a skein of something beautiful. But CGOA has spent three decades building the infrastructure that turns individual makers into a community. With chapters spread across the country—including two fully virtual chapters open to anyone with a Discord account—a CGOA member can always find their people, regardless of geography.

With just over 2,000 members, CGOA keeps the connection alive year-round through local chapters, a quarterly Crochet Along, a monthly e-newsletter, and their quarterly Crochet World insert, Chain Link. Last year’s annual retreat drew crocheters from Alaska to Vermont—a reminder that the fiber arts have never really respected borders.

CGOA retreat group attendees at the 2024 CGOA retreat.

From First Stitch to Master Certification

CGOA’s commitment to education runs deep. Online classes—taught by some of the most respected instructors in the field—draw anywhere from 10 to 60 students at a time. For those ready to go further, CGOA’s Master Certification program offers a rigorous path to perfecting and expanding technical skills.

For members who want to turn their passion into a profession, the Professional Development program offers mentorship, pitch sessions, and connections to a network of tech editors, stylists, and photographers—the full ecosystem that makes a designer’s work ready for the world. Many members make the journey from hobbyist to working professional through exactly these programs.

CGOA has a presence at the h+h Americas trade show as well as at the upcoming Fiber+Fabric Craft Festival. 
Deidra Russell used the freeform techniques she learned at the CGOA retreat to create this one-of-a-kind bag.

Craft as Generosity

The numbers from CGOA’s Chapter Challenge stop you in your tracks. In just the last two years, members crocheted well over 2,000 items for national charities. Beyond that organized effort, many chapters crochet for local causes as a regular part of their community life. The hook, it seems, is as naturally generous as it is creative.

And nearly all of it runs on volunteer energy. CGOA employs a part-time administrator and a CPA. Everyone else—at every level—gives their time freely. CGOA was built on a volunteer vision more than 30 years ago, and that spirit is very much alive.

Honoring the Art Form

CGOA’s Hall of Fame places crochet firmly in the conversation about fine craft and contemporary art. Inductees—among them the legendary Ruth Asawa, whose sculptural work has graced the pages of Fiber Art Now—are chosen for their deep expertise and their commitment to honoring crochet’s history while pushing it forward.

That balance—tradition and innovation, community and individual voice—is at the heart of everything CGOA does. If you’ve ever wondered where to find your people, start here.

Learn more at crochet.org

Top image: Ally Clymore, master program reviewer, crocheted the Mackintosh Roses Shawl designed by Svetlana Tomina.

Phyllis Taylor, president of the Crochet Tulsa Chapter of CGOA, used macramé cord to cover 40-inch canvases.

Cami Smith is the Fiber Art Now media manager, community engagement coordinator, and a mixed-media artist.

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